EOS R6 Mark IIvs Z5 IIvs ZV-E10 II
Which should you buy?
Portraits & Action — EOS R6 Mark II (2022): 40fps burst, 8-stop IBIS, and Canon's best-in-class Dual Pixel AF — exceptional for action, sports, and portrait work.
Full-Frame Value — Z5 II (2024): The most accessible full-frame mirrorless — dual card slots, weather sealing, and Nikon colour at a sensible price.
Youtube & Content Creation — ZV-E10 II (2024): Designed from the ground up for solo creators — every control in the right place, 4K/60p, and a directional mic built in.
Who should buy what
EOS R6 Mark II (2022)
- You want a do-everything full-frame body for weddings and events
- You need reliable subject tracking across stills and fast-moving video
- You shoot both photos and video professionally and need a single body that handles both
- You want Canon's colour science with a modern mirrorless system
Z5 II (2024)
- You want full-frame image quality at the lowest possible entry price
- You shoot stills primarily — portrait, landscape, or travel
- You're upgrading from a DSLR and want a familiar but thoroughly modern Nikon experience
ZV-E10 II (2024)
- You're a vlogger or content creator who wants a step up from a smartphone
- You prioritise video quality, autofocus reliability, and easy social media sharing
- You're new to interchangeable lens cameras and want something approachable but capable
- You create content for YouTube, TikTok, or Instagram and need a camera built for that workflow
Quick take: The zv-e10 ii has the highest resolution at 26mp; the zv-e10 ii is the most affordable; only the eos r6 mark ii, z5 ii are weather sealed. Scroll down for the full spec breakdown.
Full specifications
| Specification | EOS R6 Mark II (2022) | Z5 II (2024) | ZV-E10 II (2024) |
|---|---|---|---|
| Price | £2,099 | £1,299 | £679 |
| Sensor | 24.2MP Full-frame BSI CMOS | 24.5MP Full-frame BSI CMOS | 26MP APS-C BSI Exmor CMOS |
| Resolution | 24.2MP | 24.5MP | 26.0MP |
| Video | 4K/60p 10-bit oversampled, 6K RAW out, FHD/180p | 4K/30p oversampled, 1080p/120p, N-Log | 4K/60p oversampled, 4K/120p (Super35), S-Cinetone, 10-bit |
| Autofocus | Dual Pixel CMOS AF II, 6072 zones, deep-learning subject tracking | Phase-detect, 273 points, subject detection (human/animal/vehicle) | 759-point phase-detect, real-time Eye/Face AF, Product Showcase mode |
| Stabilisation | 5-axis IBIS, 8.0 stops (coordinated with IS lenses) | 5-axis IBIS, 5.0 stops | Electronic Active Steady Shot (no optical IBIS) |
| Burst Rate | 12fps mechanical, 40fps electronic | 14fps mechanical, 30fps electronic | 11fps |
| Battery Life | ~760 shots (CIPA) | ~470 shots (CIPA) | ~570 shots equivalent |
| Weight | 670g body only | 700g body only | 293g body only |
| Dimensions | 138.4 × 98.4 × 88.4mm | 134.0 × 100.5 × 69.9mm | 113.6 × 66.5 × 50.8mm |
| Weather Sealed | Yes | Yes | No |
| Viewfinder | EVF, 3.69M dots, 0.76× magnification | EVF, 3.69M dots, 0.80× magnification | None |
| Screen | 3.0" fully articulating touchscreen | 3.2" tilting touchscreen | 3.0" fully articulating vari-angle touchscreen |
| Mount | Canon RF mount (full-frame) | Nikon Z-mount (full-frame) | Sony E-mount |
| Memory Cards | Dual SD UHS-II slots | Dual SD UHS-II slots | Single SD UHS-I slot |
| Connectivity | USB-C 3.1, Bluetooth, Wi-Fi | USB-C 3.2, Bluetooth, Wi-Fi | USB-C, Bluetooth, Wi-Fi, 3.5mm mic input, headphone jack |
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